I Finished NaNoWriMo

and I am going to call my book “Depression can Suck it” because I am depressed as shit and I still wrote a novel in 28 days.

It’s a meandering, nonsensical story and I didn’t even get around to the main event, so if I were to keep writing it would become much longer, but even if the plot sucks some of the writing isn’t too shabby if I do say so myself. And most importantly, I hit 50,000 god damn words tonight and I am closing my computer for now to finally take a shower.

Edited to add before my shower: I also dropped out of grad school right before I started this, so it has a lot of meaning for me. I proved I can still reach a goal or two without being in an MFA program, and it’s helping me forgive myself for a decision I know was right, but that I still have guilt about anyways. Suck it, guilt.

Here I am, stressing about how bad I think my story is, and how I should’ve outlined the plot instead of just making it up as I go along, and I keep forgetting that I’ve never written this many pages of one piece before*.

Even if I don’t hit the NaNoWriMo goal, it will still have been a personal record. And even if the story is bad, and makes no sense, it’s still something to remember: that I’ve never committed to a single story like I have this month.

*coffee in the morning and wine at night

If all of our souls met at a bar, today my soul would be the one in the corner seat waiting its turn to ask for a shot of the strongest whatever you’ve got. My soul would be eyeing your soul’s aromatic elixir, and the beautiful way the absinthe makes your translucence glow a pale gray green, like the way the ocean looks up north where it’s cold and uninviting and the froth of sea blends into the fog. That’s the way my soul likes the ocean best.

I would like water, your soul would say to the bartender, and I would, like water, spill you onto the floor and lap you up if I hadn’t come here already attached. Instead, my soul would be murmuring to the beast that holds it between tenacious jaws, asking if she wants brandy, or whisky, or something else completely, darling, it’s all on me, just please, please loosen up a bit, you’re killing me.

Insecure Writers Support Group #3

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I dropped the ball on this month’s IWSG, but I promise I have moderately decent excuses. First of all, it was my birthday. Second of all, I was at Disneyland, and if there’s one thing I take seriously it’s Disneyland. I’m what you might call insufferable when I get the chance to go, and my poor boyfriend had to witness me at full Disney force. I practically dragged him through the park, and he was an amazing sport and didn’t complain once while I navigated us at full speed, charging through crowds and dodging strollers to make sure we made the most of our one day there. And I must say, we did it. We managed to do and see everything I had hoped to see, and had a fantastic time in the process. He even created this amazing scavenger hunt for me that started the day before, when we drove down, that led me to surprises throughout the park, then culminated after our day was done. It was really special, and I don’t know if I’ve ever had such a wonderful day on my birthday. (I want to describe it further, but I might do that in another post.) What fell the wayside during our 5 days in LA, though, was naturally my writing. Funny that it’s the first thing I always let drop when things get busy, but I’m positive I’m not the only writing-person (using “writer” today feels undeserved) who has that problem.

I have one foot in NaNoWriMo and one foot out, and while I haven’t networked or outlined or posted anything on social media I was hoping to participate anyway. And I was good at it, for a few days before we went down south. Luckily for me, I’m recently unemployed and a grad school dropout (winning combo, I know) so I’ve got plenty of time on my hands to catch up on what I missed. It’s been a busy week or so: just before Halloween, I dragged my boyfriend to my cousin’s Napa wedding for two nights. With all these fun(ish…the wedding was more obligatory) trips and events I haven’t really sat down to focus on my next step. I’ve applied for a few gigs in immersive arts, but nothing so secure that I’d be set financially even if I did get them. They’re more the pursuing-your-dreams, less the pursuing your future finances or ways-to-get-your-family-to-approve-of-you type things. I’m wishy washy and have a hard time committing to one path, and a harder time finishing what I start. Which is why it’s hard, right now, to convince myself that NaNoWriMo is worth my time when I have some pretty big obstacles in front of me, mainly getting a job and figuring out which grad schools I might want to apply to for next year.

Losing my job, which also functioned as much more and dropping out of school in the same week was really hard. I was already depressed before, but I’ve slunk into a pretty rough state as of late. I’m really hoping that working on this novel, or whatever the hell kind of thing this is because it’s turning out to be very, very strange, will help me feel like I have some purpose, or even just offer an escape for the time being. Hell, I’d almost rather take the escape. And going back to the past week, I am still a little weirded out at how much of a 180 I did as soon as I got a day at Disneyland. I just turned 26, not 5, and while I understand there are Disney freaks of all ages, I always thought I was way too much of a cynical nihilist to be one. But my boyfriend saw it, and it was real: the depression I’ve been battling, the anxiety and the bodily fatigue that makes it difficult to get out of bed or do anything, it was all alleviated for that one day. I felt like a powerhouse. Now, as someone who tries to be socially conscious and understands how fucked up the Disney mentality is, I feel kind of ashamed of this. I grew up in a wealthy suburb where perfection and blindness go hand in hand, so I know better. But still, god damnit, going back to Disneyland made me feel great for one day. I even got a free birthday churro. So thanks, Disneyland, and thanks, sweet, wonderful Boyfriend, but now I must go back into my writing cave of obsession and anguish as I catch up on all that I’ve missed.

Inventory / What Remains:

1 (one) Book of the Latitude, inside a brown paper slip embossed with a now-broken black waxen seal bearing an imprint of the Society’s logo, first page signed by the Professor

1 (one) mid-sized Maglite flashlight, black, with a keychain tag reading “Please return at the Den Arcadia” and again, the Society’s logo

1 (one) empty bottle, whose fading label reads: “Season of Akhet Spirit Distilled from the waters of the Twin Rivers: Topaz Lethe and Amber Mnemosine” and smaller: “Bottled in Bond by and for the House of the Latitude, Delphi Indianna” and smaller, still: “HEXA AZURE 5186.” Smells faintly still of Bourbon, Averna Amaro, Creole Shrubb and bitters, though any scent is fading fast

1 (one) handful of teeth

10 (ten) claim tickets with locker numbers 1-8 and their lock combinations. On each, the instructions “Now follow the instructions on the inside of the cubby door to your left.”

1 (one) corked vial of hypoallergenic Canadian cave sand, white, very fine

7 (seven) invitation cards, each with unique index string, each a key

1 (one) small stick of Palo Santo, not yet burned

On Being Invisible, On Shame

I have always wanted to be able to become invisible. Out of the major superpowers usually rattled off among children (or at least the kids I hung around, and don’t quote me on this because I was never really that into superheroes) like super-strength, invisibility, mind reading, shapeshifting, and the ability to fly, I would always choose the ability to move undetected through worlds and spaces, to have impact in a way that is not attributed to a physical form. I wasn’t a prankster, rather more of an observer, someone whose very first journals from age 6 are logs of my spying from various posts in various bushes, and who in second grade dressed up as a private investigator straight out of a noir film complete with khaki blazer (my dad’s, and on me, a trench coat) fedora and magnifying glass. I was a voyeur in the making, and someone who only flourished under the spotlight if I was performing, or more accurately if I was being anybody but myself.

In my attempts over the years to belong to social groups that seemed stuck on maintaining an identity through exclusivity (read: I wanted to be in with the popular girls) ((read: mean girls)) it became apparent that the more I tried to squeeze myself into a tightly-laced outfit, the farther and more forcefully I flew away from these groups when the binds were finally released, usually by my own hand. I was drawn to people who seemed to know who they were and who they weren’t because I had no idea what I was, and the notion of being as empty and vast as I appeared inside was terrifying. I tried to fill, stuff, tighten, repress, and ignore that hole, the overwhelm of which may have been exaggerated by depression and emotional disregulation, and at times still is. Instead of floating in the uncertainty of my identity, I focused all my energies on belonging to groups who not only fit in, but who defined what it meant to do so. The result was damaging. I was not a person who I liked, and I spent time working for the validation of people whose values do not resonate with me. I was self-centered, vain, and sometimes mean. If not outright mean, I was catty, petty, and insecure. I left these groups in volatile ways, exploding when the pressure of repressed disappointments and disagreements built up and sent me over the edge. After that, I floated. After years of wanting so badly to be seen, after years of failing to fit into the mold I had created for myself, all I wanted was to be forgotten about so that nobody would see that I had failed to live up to my own expectations.

Shame builds up. It wants to make you invisible to the world, and wants to make sure its sources are never seen. Living in shame means constantly wishing you could disappear, that nobody else could ever see the things you spend every minute meticulously trying to cover up. I’ve done a lot of stupid and risky things, and I have behaved in ways that I’m not proud of and that I don’t speak of to many people. As a result, I’ve become more comfortable in the shadows. I find fascination in the world, but only when I am able to remove my own being from the scene at hand. I try not to stare too hard, or to tread too loudly, or to make my presence known as definitely one thing or another. If I could I would transcend categorization completely, not out of some religious individualism but rather in order to be forgotten, to be utterly unremarkable. Unfortunately, I too often act in ways that categorize my identity, though I still don’t know as what. My Italian roots mixed with a hefty dose of mental illness and resulting black and white thinking make it so that I cannot be invisible, no matter how I fantasize about embodying the trope of the quiet girl, as transient as the wind whose impact on her surroundings is equal to that of a leaf falling from a tree. And try as I might to correct it, my gait will always be clumsy and my footsteps loud.

My desire as a child to claim invisibility as a superpower stemmed from curiosity, and from the desire to dig deeper. I wanted to taste the depth of knowledge that something like moving through the world unnoticed could supposedly afford, to look in the desk drawers of strangers, to read journals not intended for public viewing, to stare as long as I wanted at the details without fear of being judged. I think, too, I wanted to be safe, and I thought that not being seen would keep me that way. I still want to be safe, but now from judgment shattering the fragile identity and semblance of confidence I have only recently started to build. Invisibility is security. It is release from all the heaviness.

I started writing a story about a woman who one day turns invisible. I want the readers to know that she is depressed, and that she is living with shame and trauma. I want to write about her transformation as a literal metaphor for an emotional state and a longing that is brought on by an inability (or a refusal) to accept one’s past actions. Repression and shame make us heavy, and they make it so tiresome to live that we wish to simply not exist anymore. I started this story, but I stopped writing it when I realized I didn’t know what she was going to do now that she was invisible other than go about her daily life exactly as she did before the metamorphosis. But of course she can’t do that, and that being the only place where I perceived any conflict in my story is largely why I put it away. Because the only negative side of being invisible I could possibly see, the only obstacle I could create for my character was utter liberation from the world. That’s no story at all.

As the Russian poet Marina Tsvetaeva wrote in her diary, “I don’t want to die. I want not to be.” She later committed suicide. While I am not expressing that desire, I think many resonate with the sentiment of wanting to be rid of their weight, their existence. Consciousness is a heavy thing, and affords us much joy, but also much pain. So does the body. The dissolution of the body, as in invisibility, makes certain that only our consciousness remains. This is the split, the riddance of the grotesque, selfish, hedonistic flesh and the inhabitance of the “pure” or even holy spirit, isn’t this the dream of many or most religions? I could go even further and bring up the fact that in most patriarchal religions, the body is associated with the woman and the wisdom and purity of the spirit and intellect is seen as a male symbol, but I will save that for another rambling, spontaneous essay. The difference, here, is that my desire and my character are not shedding bodies, the bodies are simply not a public spectacle anymore. Their physical beings are taken, at least to the reflective surface of the world, out of the equation. (And can you tell I was raised going to Catholic church?) The idea that by taking the body out of the equation the depression will be gone is naive. I will try my best not to subscribe to it, but I do want to follow this thread.

When I came up with this story, I was writing with the theme of literal, physical manifestations of emotional states. I like that theme, but I’m a little plot-deficient in most of what I write. I wrote this post on a whim to start feeling excited about exploring this topic again. I still long to be unseen, but nowadays I satisfy that urge with hanging out in dark places and wearing black all the time like the tortured, overgrown, vitamin D-deficient, teenaged goth that I really am deep inside.

Insecure Writers Support Group #2

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This is my second post for the IWSG, and I still haven’t figured out how to have the badge link directly to the site itself, so if you’re wondering about my awkward formatting it’s because I’m a technophobe with a very basic understanding of WordPress.

Anyway.

I’m thinking of leaving my MFA program after the semester’s end and looking for alternatives. It’s not the right one for me. This is coming from a person who’s in her mid-20’s and still doesn’t have any career ideas, and who took 7 years to get a Bachelor’s degree, hopping around to 3 different colleges before finally finishing. If there’s one thing I know, it’s how to be picky and indecisive, but I think I’ve finally got some experience under my belt in knowing what I want out of an academic program. I’d rather leave now than suffer through it, always wishing I’d had the guts to leave earlier and coming out underwhelmed and disappointed in what should be a really kickass, challenging experience.

On another note, I’ve been holding back on my writing. In the past few weeks my job and my creative and social outlet disintegrated without warning. My depression has reared its head to a pretty severe degree, and my need to take care of myself better has come to the forefront of daily life. Combined with my MFA program falling short of my expectations, I’ve been feeling fatalistic about writing. But in the past few days, I’ve been trying to apply the notion of radical acceptance to one story I’ve been working on, and just keep moving forward with it. I’m not the best at having a plan or outline of where my story is going, and while I saw that as a shortcoming at first, I’m trying to have some fun with it. In writing this magical realism-fantasy-surrealist-science fiction mutant of a story, I decided if I establish its lack reliability or prescription to one formula then I can basically do anything with it and not feel like I’m failing. Change of narrator? Sure. New world? Ok. What’s this one like? How’s it relevant to the plot? Not sure, I’ll figure it out as I go. Shrug. What about a beach, but instead of sand it’s made of ice? Yeah, I can do that.

I’m sure this is something that writers figure out a lot earlier than I have, but I’m pretty excited about it, mainly because it’s a realization that’s helped me move forward and moving forward is essential to my mental health and my writing. And of course, my writing and my mental health are most definitely interdependent, so anything that helps me move forward in my writing helps me move forward in life. Accepting and writing in these possibilities that may at first seem ridiculous, or may get edited out later helps me broaden my view of what’s possible beyond the narrow tunnel-vision of depression. I think that’s what the concept of NaNoWriMo is based around, just getting it all out on the page whether it’s “good” by your standards or not. I’m still not quite at the level of being able to do that, but I’m trying. It’s my main priority right now with my writing, just getting it down. So much is in limbo right now, being recently unemployed and possibly about to drop out of school with the semester’s end, in a fairly unstable living situation that could become unaffordable at any moment, but I’m fortunate enough to have a support network and the support to just try to write, and try to get better. It doesn’t feel like everything is lost, but it feels like a lot is freed up in a way that it wasn’t before. I just have to keep writing down the possibilities.

then stop.

“‘Begin at the beginning,’ said the King, very gravely, ‘and go on until you come to the end: then stop.'”
–The King of Hearts, Alice’s Adventures in Wonderland

Yesterday, the owner of the company that ran the project I was working for as a contractor pulled the plug on all of it, the company and the project. For the community, a few thousand artists, creatives, performers, thinkers, business owners, imaginers, game designers and generally freaky people, this was completely abrupt. It was for me too, and as far as I know, it was even for the person I work under. It would take too much energy to speculate about who knew of this sudden closure, but I can say with certainty not many did.

When I say “working,” I mean I was lucky enough to have a paid part-time gig as part of my being a member of the community. Being a full time student, it was enough for now. It was perfect, actually. Frankly, it was a dream come true. It was an underground house full of automated rooms, and an adventure that continued above-ground once the person exited the building. There was a mythology. There was a blurring of realities. There was claustrophobia, confusion, fear. There was the smell of palo santo and fresh ice cubes every time and a sweet, herbal spirit with smoky notes free to drink at your discretion. There were keys, and secret exchanges with bartenders, and coins that conjured creatures from other dimensions on the screen of an arcade game that called you a “tool” yet gave you exactly what you needed: after being alone for so long, a connection to others of like mind and heart. There was an actual rabbit hole. There were books that appeared blank at first sight but were actually full of information. And that was only the beginning.

The closure took us all by surprise. As a physical space it will cease to be active, but of course the community still exists. That will thrive, I have no doubt. By participating in this we were given the very training to carry it on. Still, despite all this, despite the rebirth and the rising from the ashes and the fact that we are a hydra, and that we are embodying exactly what the fable said we would do, I can’t help but mourn the physical space that I spent so much time in. I spent so much time down there, and would emerge after 9, 10 hours squinting and blind as a mole into the harsh sun and environment of the urban neighborhood. I learned so much about what humans will do when they are afraid, when they are taken completely out of their elements and into another world, one that they weren’t expecting in the least.

There have been many instances where I’ve found my foot is in my mouth in the new venue that we have moved to since the closure of our spaces, our website, our community. I’m not trying to be argumentative or even take a firm stand, but I’m trying to participate and it seems I’m doing it all wrong. I’m too attached to my position, to my knowledge, to my privilege.

Maybe I have no idea what this is at all. Maybe I just don’t get it, like the creator warned.

I fantasize about leaving.

I picture storybook villages in the English countryside, trying to push away my own memories of small-town drama, boredom, and depression from when I lived in the mountains of Colorado that threaten to choke the very life out of my ideas.

I imagine idyllic train rides from Munich to the Alps, miles of green parks in the Netherlands, open invitations to wander, to be lost, to be not sure. Drinking beer on the streets. Owning dogs. Being able to get by on working very little and writing all the time. Free college education, cheap healthcare. I imagine a sunny studio apartment, trying to ignore the paranoia and agoraphobia that sets in when I live alone, the curtains that will remain closed no matter how romantic the view. Trying to pretend I am different from how I really am, that I can handle it, that I would be alright if only the scenery were.

I think about taking buses and trains that come when they are supposed to, like clockwork to appease my neurotic inability to handle being late, about passengers that mind their own business and about walking down streets where I am invisible, free to observe and stare and lurk and absorb as much as I want. I think about becoming a sponge, being as vulnerable as I feel but being safe.

In my fantasy there will be no syringes on the sidewalk, no piles of garbage that the city doesn’t care about, no psychotic screams in the middle of the night, no shootings, no picking up a newspaper from a doorway to learn too late that it is there to cover a pile of human shit. Nobody gets stabbed with blunt scissors outside the back gate of my place of work, no clusters of men hover drunk and high on the sidewalk, humming like a beehive and berating me for not smiling at them while I know what weapons they carry because I have seen them use them on each other. They call out my every move. “Touching your hair, eh?” “Ignoring us, are you?” I am painfully visible.

I have a shamefully stereotypical and immature European fantasy in which I live out my days in parks and cafes, where there is room to be stuck in my mind all the time, where there are plenty of others doing the same thing and we are safe. I know the reality, and I know that I can’t escape from it anywhere. Europe is not a perfect continent, it is as traumatized as we are here. So it becomes easier to think the problem is the Bay Area, and that while America is completely fucked up, I may not be as far from something less stressful as I like to think.

I dream about moving to Germany because the diorama I have built in my mind fits into the rigid molds of my neuroses and negates the realities and unpredictabilities of urban life. It is the Christmas village that I helped my mom set out every holiday season, unboxing each individual building, the grocer, the baker, the smithy, the train station. Always a way in, always a way out, and everything has its place. Still, though, I know there are places that would be better for me than the Bay Area right now, easier, less expensive, safer, less intense. We are on the precipice of collapse, geologically, economically and socially, and I feel it every minute.

I walk around with anger and irritation the only things propelling me forward, forcing my one foot in front of the other. I am not constructed to exist here. I wish I could handle it, but I can’t, and yet I do. I walk down the street imagining a mountain lion on my right and a tiger on my left, both baring their teeth and sometimes growling threats when they sense an invasion of my personal space or energy about to occur. So far it works, but it means I am constructing large imaginary cats to get through the day.

Elsewhere